It may be true that the uncanny [unheimlich] is something which is secretly familiar [heimlich-heimisch], which has undergone repression and then returned from it, and that everything that is uncanny fulfils this condition.
Therefore, it is not surprising that Freud relies on E.
What is involved is an actual repression of some content of thought and a return of this repressed content, not a cessation of belief in the reality of such a content.
From having been an assurance of immortality, it becomes the uncanny harbinger of death. The better orientated in his environment a person is, the less readily will he get the impression of something uncanny in regard to the objects and events in it.
In Hoffmann's story this is embodied in the robotic woman Olympia. In the real world? As we have seen [p. The little eavesdropper hears Coppelius call out: 'Eyes here!