These vernacular prosimetric genres, which were strictly religious in nature, were used for particular services and were characterized by specific pre-verse formulas.
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Eventually, entire texts written in heavily vernacularized Literary Sinitic came to be composed. By this, Hu meant that literature should contain real feeling and human thought.
The line of demarcation between prose and poetry is much less distinctly drawn in Chinese literature than in other national literatures.
A spirit of literary experimentation flourished in the second half of the s. Zong-qi Cai. The works of Lu Xun and other writers of fiction and nonfiction did much to advance this view.